Select interviews and publications

Vogue Magazine, 2021, https://www.vogue.com/article/6-expert-backed-ways-to-cope-with-stress

Brokeassstuart, 2023, This Writer rallying for liberation knows war all too well https://brokeassstuart.com/2023/11/27/san-francisco-gaza-palestine-poetry-writer/

The961, 2020, 10 incredible Arab writers https://www.the961.com/10-incredible-lebanese-female-writers-and-poets/

Seismic Sisters, 2021, Complex, Endlessly Curious, Broken and Beautiful https://www.seismicsisters.com/roe-v-wade-is-feminist-healthcare/tag/Jess+Semaan

CIIS Public Programs, 2019, Interview with Faculty Jyoti Rao

Selected top writer on platform Medium, 2018

They don't Like that you Wondered

A personal essay by Jess Semaan

The wee hours of the morning. Another morning, another sunrise, where my father would find me crouched on the balcony, shivering in a mix of terror and curiosity. I was 10 and 11 and 12. Dealing with regular early teenage matters like two new chestnuts on my chest, and a school unrequited crush. And what I thought was also a regular teenage matter: tracing the Israeli fighter jets to find out where they will bomb next. I would track their altitude, their direction, their numbers, by the intensity of the sound. On those nights and early mornings, going to sleep was useless, for the jets would come in my dreams too.

The wee hours of the morning. My father would light up a Marlboro cigarette in one hand with a Turkish coffee in another, and turn up the akhbar (the news). The akhbar are a staple in our part of the world. Always in the background, on at all times like the white noise machine in a therapist’s office. I like to claim that us Arabs invented the 24 hour news cycle.

The sound of the Israeili jets haven’t left me. They still intercept my days. Sometimes disguised as fleet week in San Francisco, others as mere SFPD helicopters roaming the skies looking for a thief, they tell me.

That early spring morning my father took me in his arms and asked:

Dad:

“Are you afraid?”

Me:

“I just want to know if they will bomb our neighborhood.”

We lived nearby the electricity plant.

Those late Israeli teens loved to press eject from thousand of miles above. And blow up our electricity. Sometimes our lonesome airport. Sometimes the water facility. And “by mistake” and in between, our children. And women. And men.

I watch Israelis online arguing about the right to defend their “country”. How this is their land, because a holy book said so. Arguing while simultaneously children an hour drive from them, are being killed by a mere precision bomb, made in the USA. As a trauma psychotherapist, I know very well that it takes a highly traumatized person, disconnected from themselves to sustain consistent levels of dehumanization of others, and rationally debate the right use of a word, while they kill them en masse.

Spending time on the balcony tracing military jets, seemed like a normal activity, that begets curiosity. It is also how I internalized that justice, safety and peace are not made for me. These concepts do not even enter the realm of possibility.

Why is it always about their rights? We get to have wrongs. We get to have bombs. They get to have fancy passports.We get to have pieces of paper that won’t get us anywhere. They get to have shelters. Aid. Sympathy. A lot of sympathy. And billions to shop for weapons. We get to have terrorism. Anti-semitism. Victim blaming. We are dumb. We are weak. We chose this. Did we? You wonder? They do not like that you wondered.

That morning, when my dad found me on the balcony, I was 11. I was 11 when the massacre of Qana took place.

Correction 1: When the Israeli military bombed a UN school located in the town of Qana, in the south of Lebanon, that was housing hundreds of children.

Correction 2: When the Israeli army, knowingly bombed a UN school located in the town of Qana, in the south of Lebanon, that was housing hundreds of children who were sleeping.

Qana, it is said in the Bible, is the place where Jesus turned water into wine. That year, the IDF turned the burgeoning spring grapes into blood.

A Stanford classmate back in 2010, hosted a lunchtime talk, on what he learned about business principles of leadership being a sniper in the IDF. I walked by and at the time felt nothing. Then went to my dorm room and threw up.

The gaslighting works like that. It makes you forget your history, leave your body permanently, and start hating yourself. Gaslighting doesn’t ask, how does extremism emerge. How come there are so many Palestinian refugees. How does unhealed trauma manifest. The reverse gaslighting works like that. A ton of support from our people. We need our people to come home to. To cry to. And most urgently, sharing out stories, with the hope that more victims of propaganda to wake up and join us. It starts with one. One is plenty. A wandering one. Let us wonder together.

They do not like that we wonder.

Untitled

A poem by Jess Semaan

They have their snipers and we have our warriors

They have their propaganda and we have our history

They have their politicians and we have our poets

They have their c-suite and we have the people

They have sophisticated weapons and we have ancient culture

They have money (lots of it) and we have truth (lots of it)

They have greed and we have resistance

They have moral bankruptcy and we have hearts, big hearts

They have lobbies and we have grassroots communities

They have Trump and Biden and we have each other

They have the wrong side of history and we have the long arch of history

Death by Bullet

A poem by Jess Semaan

You shot

Two bullets in his back

Who betrays a grandparent

For blood, young man

Who betrays their grandparents

To death, young man

What is the difference between

A gas chamber

&

A Gaza slaughter

What is the difference between

Mass killing

&

Mass killing

You shot

Two bullets in his back

Did your grandparent survive a gas chamber

So you can shoot an old man in his back

Young man, who taught you

Who taught you

To walk an elder home

Then

To kill the elder raw

Young man

Who taught you

That to kill an elder

Won’t bring you a home

Do you know the elder

His name Basheer means

the one who brings good news

Can I call you

The murder of good news

The Healer Wants to Debate

A poem by Jess Semaan

Israel strikes an ambulance

But the healer wants to debate

About the accuracy of a border

About a date

About a book reference

The healer wants peace

I wonder where has he known peace

Amongst the bodies of helpless, frail citizens

Barely breathing

Under the tunnel of his city

He looks away

But is he at peace

He wakes up at 6 AM to meditate

Is he at peace

What thoughts roam through his head?

Is he hard on himself?

Is he lonely?

I read about Attiya

He was a November Scorpio

On his 14th birthday, he was shot by a sniper

Unarmed, he was unarmed

He was paralyzed

He did not die

That day

He was killed

Yesterday

In an airstrike

The killers have no names

Attiya died the second time

Did the healer know how people die in Ghaza

Attiya wanted his best friend to visit

Attiya wanted his mother not to worry

Was Attiya at peace?

Who will remember the chuckle in his laugh

The color of his eyes when they are touched by the sun

The healer wakes up at 6 AM

Burns sage

Is he at peace?

I have never known peace in the United States

Last week a mass shooting

Tomorrow insurance won’t cover your hysterectomy

The other day I paid taxes to fund a genocide

Did the healer ever need

A visa to a country?

The healer says he is doing God’s work

Perhaps God doesn’t want his work

God wants a ceasefire

God wants him to know there is never peace where there is theft

There will never be peace for Attiya’s mother

Israel strikes a hospital

Crack of Dawn

A poem by Jess Semaan

I wake up at the crack of dawn

To ask God

In the silence of a crack of dawn

I hear the bombs all over Ghaza

I ask God what came to a being to rejoice at a blood

I wake up because I can’t sleep longer than three hours

And now I hear there is an eclipse

And a yoga teacher asks me to manifest

I manifest

I am falling

and

failing

To manifest

I picture Ghaza’s sea wanting to crawl back into the earth to unsee

The horrors

Even a sea cannot comprehend

What came to a being to rejoice at innocent blood

I will emphasize innocent to inch you towards empathy

I wake up at the crack of dawn when it’s silent

To whisper in God’s ear

You for real?

Does God hear the whispers of the children of Ghaza

Too thirsty to scream

Precious are their bodies

Soon to be wrapped

Oh wait there is no one to wrap them

Soon to decompose

Will I smell their body at the crack of dawn

Does silence make the smell more pronounced

More nuanced

More blood

I wake up at the crack dawn

Thinking is it Beirut yet

Is it enough blood to quench a thirst

A thirst of a being

A thirst of evil

God I withdraw my question of is there evil

I spare you an explanation

For I have seen evil the face of evil

Of those around me

Who hear in the cries of Ghaza

More victory

Does the victor ever win

I wake up at the crack of dawn

In the silence

I hear the words of Ahed Tammimi

Every colonial empire must fall, will fall

I wonder what Ahed is doing at this moment

Can I trade my being’s safety for truth

For dignity

The crack of dawn cracks into a morning

Of noise

That isn’t Ghaza

The Olives Won’t be Picked

A poem by Jess Semaan

The Olives Won’t be Picked

This season

This war

I mean this war’s season

I mean this season’s war

The olives

Won’t be picked

And the earth

Won’t rest

And the oil

Won’t hit the shelf

Of the Arab grocery store

And I will search for Nablus’ oil on the shelf

I will ask 3amo if it’s coming

And 3amo will mutter

Not this season

Not this war

3amo won’t tell me Bilal woke up at sunrise to pick the olives

He won’t tell me Bilal was watching over the olives since he was six

His eyes knowing their shades of green, their ripeness, their oil concentration

His big farmer hands knowing when they were ready and when they needed another day

He won’t tell me what was the settler wearing that morning besides his AK-47

He won’t know how loud Bilal’s son scream was

He won’t know if Bilal dreamed the night before

Did he remember his dream

Or who his wife called to pick up his body

The olives are still not picked not pressed not packaged not shipped not transported not stored not priced not sold not tasted not mixed not cured

Should Bilal have come another day?

Could the olives have waited?

Could the harvest have been delayed?

Could the settlers have stayed in Brooklyn?

Will the trees remember

Bilal.

Is It a Massacre if it is a Palestinian?

A poem by Jess Semaan

Is it a massacre if it is a Palestinian?

Is it fall if the leaves haven’t fallen?

I watch an old Asian lady picking fallen leaves by hand

One by one

I watch my grandmother picking edges of fresh grape leaves

One by one

I watch my mother walking away from who once was a daughter

Is there anything that a war does not break?

Is there anything that a war does not break?

My friend tells me I am her only Arab friend

Does that make me a history teacher?

Is it hard to spell Palestine?

What truth lies between letters of a word?

What is a country?

But a hollow vessel

A desperate call for a rest

I fall as I sleep walk

Looking for my mother’s eyes

To tell her

It was always the war

It still is the war

The leaves fall

I did not know of another season

Until the old Asian lady picked the fallen leaves one by one

Who picks the corpses in Gaza?

Are the hands picking them gentle?

I want to say sorry to a mother who confused daughter for war

No Words

A poem by Jess Semaan

No words to express how the heart feels right now

Maybe we don’t word

Maybe we stomp

We stomp till the earth cracks

Maybe we shake

We shake till the wind weeps

Maybe we twirl

We twirl till the sun rises

Maybe we sit

We sit till the ancestors roar

Maybe we stroke

We stroke our bellies till fear leaves

Maybe we kneel, we bow, we bow, we stand, we kneel

Maybe we hold a body

Maybe we are held by a body

Maybe we walk

We walk so slow, so heavy to the beat of bombs

We walk till we get home

And how will we know when to stop?

And how will we know it is home?

Maybe we don’t stop

Maybe we know that we will know

That our bodies know when it is safe

To weep

Maybe for now

We don’t stop

They Called it Migration

The best way to describe a Palestinian is killed

I meet an American photographer who once followed a breed of birds from his ancestral land in Italy all the way to Finland

The best way to describe a Palestinian is censored

An American writer gets invited to network in Israel with fellow authors

all inclusive except for the souvenirs

The souvenirs are out of pocket

The best way to describe a Palestinian is migrated

Not fled or expelled rather migrated

A catastrophe lost in translation

A catastrophe found in a translation

Catastrophe becomes migration

The best way to describe a Palestinian is erased

My teta’s name Galilée

Her name spoke of a place she left

Was it migration or a catastrophe

The birds feed on limbs somewhere on the streets of Gaza

Does anyone follow their migration?

The best way to describe a Palestinian is

They never left

The best way to describe a Palestinian is

ancient olive trees, summer mediterranean breeze, orange bright sunsets, sunrise call to prayer, next door grandma, neighbors that are cousins, , fresh water well, a village story teller, birds that migrate and return, the crucible of civilization, ancient, big black magical eyes, brilliant minds, principled bunch, stewards of the land, loyal to the land, tight family knit, artisans, unassuming talent, truth tellers, queers, mothers, fathers, doctors, authors, lawyers, wanderers

The best way to describe a Palestinian is to bow at their feet for their courage

We know they will be back